I relish the often unique and non-Hollywood themes that most independent films offer. It was true of the recent Winter’s Bone, The Girl With the Dragon Tattoo and The Girl Who Played With Fire, and it’s true of the latest offbeat offering, Get Low, running through Sept. 9 at Plimoth Cinema.
This story is loosely based on a real-life Tennessee legend named Felix “Bush” Breazeale, who arranged to have his funeral while alive so he could enjoy it. The 1930s event drew 8,000 people, the largest assemblage ever seen in Roane County, and his story has slowly evolved in the local folklore.
This film version has Felix cast as a taciturn and curmudgeonly recluse who has come out of the deep woods and, in a similar way, arrange his funeral, i.e., to “get low.”
Felix, inhabited so well here by Robert Duvall, has lived a 40-year, self-imposed exile. The sign at the end of his driveway says “No Damn Trespassing!” Unflattering rumors about Felix abound, and he has developed a frightening reputation among the folks throughout the county.
One might get an initial impression from the remote and very authentic southern setting, as well as from Felix’s unkempt backwoods appearance, that we are in for a little more of the ‘bleak’ of Winter’s Bone. But that is not the case, as this film is just an amusing tall tale. After all, who cares enough to be around to hear what people have to say about them when they are dead?
The central mystery of the film is why Felix became a recluse in the first place. As the film develops, we see that Felix has decided that it’s time for atonement for a 40-year-old secret. In the end, Get Low is a story of redemption, forgiveness and acceptance.
With Robert Duvall, Bill Murray and Sissy Spacek, this film is an example of what can be accomplished with great casting.
Duvall captures his role perfectly and is reason enough to see the film. Over his 80 years Duvall has played 130 roles, wining an Academy Award for Tender Mercies. His first role was as Boo Radley in To Kill a Mockingbird, and many see comparisons to Felix here.
Murray steps in as the local mortician, Frank Quinn, who is a rather charming but slightly oily opportunist who occasionally skates close to unscrupulous. Murray adds to the humor strewn through the film.