There are few reviews that I’ve read or written that could contain as many single-word adjectives as could be said about Joan Rivers – brazen,persistent, polarizing, acidic, obscene, bitter, hilarious, unbroken, unforgettable, pioneer, smart and crass.
For Joan Rivers: A Piece of Work, which runs July 16 through 22 at Plimoth Cinema, directors Ricki Stern and Anne Sundbergfollowed the 75-year-old comedian through the good and bad of her day-to-day routine for over a year.
This film is one of the best of the genre of show business documentaries. Showing what the business is really like, it provides insight into the competitiveness, stress and demeaning nature of the business and the price one pays to succeed. You come to see a great documentary not to fall at the feet of celebrity. Stern and Sundberg did an artful job of pulling it together.
I liked this film but do I like Joan Rivers?
Difficult question. I like her jokes…most of them. I like her cleverness and quick wit, but not her “interrogations” on the red carpet, or her other way-over-the-top acid comments. I don’t think I’d like to sit with her for a cup of coffee, but maybe I’d just be afraid to. The bottom line is I join the 92 percent of the national critics who liked the film.
Rivers was born Joan Alexandra Molinsky, to Russian immigrant professional parents, and graduated Phi Beta Kappa from Barnard College. She wouldn’t be as good if she wasn’t so smart.
She works exceedingly hard to keep her 50-year career going. Not being able to work would be a kind of death sentence. Her need to perform has been described as a need for continual blood transfusion.
Things had slowed before she appeared on Trump’s Celebrity Apprentice. It was a chance to get back on network TV, and it certainly worked for her.
The film is an unusual project for Stern and Sundberg, who are known for their social justice films. Stern’s parents are friends of Rivers and access probably required some compromise. That’s not to say that there isn’t plenty of River’s darker side. It’s amazing that she allowed such a candid view of her life; you’ll hear her doubts and worries and see her in her less than flattering moments, including the first clip in the film, a close up of her face without makeup.