Plimoth Cinema: Whatever Works

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By Ed Russell
Posted Aug 17, 2009 @ 12:49 PM
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Woody Allen has come to Plymouth, with Whatever Works, which is showing at Plimoth Cinema from Aug. 14 through Aug. 27.

But what should we expect this time?

Some people love Allen; others don’t. He’s created some of the funniest and most innovative comedy of our time and has known both success and failure.

While Allen is not all things to all people (perhaps he’s more of an acquired taste), his iconic reputation does win him big audiences, famous actors who want to work for him, and distributors who sign up for guaranteed profit with little risk.

Allen is known for pseudo-intellectual self-parody and for creating a uniquely Allen genre – neurotic romantic comedy.           

Fourteen of Allen’s films have earned Oscar nominations, but he’s written more than 60 films and directed 40. To those who point out his failures, he says, “If you’re not failing every now and again, it’s a sign you’re not doing anything very innovative.”

Among his many character types, Allen has frequently employed the nebbish neurotic and the misanthrope. Of course, we have come to identify Allen, himself, as the neurotic New Yorker. The lead character in Whatever Works can certainly be described as a misanthrope, one who dislikes or distrusts all people. It clearly fits Boris Yellnikoff, played by Allen surrogate Larry David (Curb Your Enthusiasm and Seinfeld), who, in this film, elevates misanthropy to the splenetic.

Though Allen wrote the screenplay years ago for Zero Mostel, David’s pessimist TV persona made him a most likely choice for the role. David himself will provide a big draw for this film.

David plays elderly over-the-top grouch Boris Yellnikoff (there are a number of over-the-tops in the film). A former quantum physics professor, Boris lives in a shabby Chinatown walk-up in New York. He encounters a very young and very naive run-away southern beauty queen named Melodie (played with an accentuated Southern accent by Evan Rachel Wood),who is looking for a place to stay. Indulging in geriatric male fantasy, as only Allen can, he brings two characters with vast age differences together in a relationship and, eventually, to marriage. Perhaps wishing that young women would find him attractive is an Allen thing. (He’s 46 years older than his wife Soon-Yi.)

Boris, a legend in his own mind, earns a few dollars teaching children to play chess while insulting them as morons. He hangs around with friends grousing about humanity’s inadequacies. Melodie is enamored with his over-confident intellectualism.

Woody Allen has come to Plymouth, with Whatever Works, which is showing at Plimoth Cinema from Aug. 14 through Aug. 27.

But what should we expect this time?

Some people love Allen; others don’t. He’s created some of the funniest and most innovative comedy of our time and has known both success and failure.

While Allen is not all things to all people (perhaps he’s more of an acquired taste), his iconic reputation does win him big audiences, famous actors who want to work for him, and distributors who sign up for guaranteed profit with little risk.

Allen is known for pseudo-intellectual self-parody and for creating a uniquely Allen genre – neurotic romantic comedy.           

Fourteen of Allen’s films have earned Oscar nominations, but he’s written more than 60 films and directed 40. To those who point out his failures, he says, “If you’re not failing every now and again, it’s a sign you’re not doing anything very innovative.”

Among his many character types, Allen has frequently employed the nebbish neurotic and the misanthrope. Of course, we have come to identify Allen, himself, as the neurotic New Yorker. The lead character in Whatever Works can certainly be described as a misanthrope, one who dislikes or distrusts all people. It clearly fits Boris Yellnikoff, played by Allen surrogate Larry David (Curb Your Enthusiasm and Seinfeld), who, in this film, elevates misanthropy to the splenetic.

Though Allen wrote the screenplay years ago for Zero Mostel, David’s pessimist TV persona made him a most likely choice for the role. David himself will provide a big draw for this film.

David plays elderly over-the-top grouch Boris Yellnikoff (there are a number of over-the-tops in the film). A former quantum physics professor, Boris lives in a shabby Chinatown walk-up in New York. He encounters a very young and very naive run-away southern beauty queen named Melodie (played with an accentuated Southern accent by Evan Rachel Wood),who is looking for a place to stay. Indulging in geriatric male fantasy, as only Allen can, he brings two characters with vast age differences together in a relationship and, eventually, to marriage. Perhaps wishing that young women would find him attractive is an Allen thing. (He’s 46 years older than his wife Soon-Yi.)

Boris, a legend in his own mind, earns a few dollars teaching children to play chess while insulting them as morons. He hangs around with friends grousing about humanity’s inadequacies. Melodie is enamored with his over-confident intellectualism.

The story really kicks off with the arrival of Ed Begley and Patricia Clarkson, playing Melodie’s bible thumping Mississippi parents. They provide some of the best moments in the film. Allen lampoons Melodie’s uptight parents as Southern Christians lacking original thoughts and they are shocked to find Melodie living with Boris. But after Boris and New York have their effect, they undergo a religious and cultural makeover.

Allen and Clarkson were together for Vicky Cristina Barcelona, one of my favorites among Allen’s recent films.

Allen, who started in stand up comedy and appreciates improvisation, is known for giving actors much latitude in playing their parts. Wood, when given the script by Allen, was told “Here’s the blueprint, make it your own and have fun.”

We don’t necessarily go to Allen films for the perfect; we go for the humor, the offbeat perspective and the eccentric characters. You’ll find them all here.

Allen conveys the message that we can evolve into better people as we deal with others. Therefore, do whatever works, as long as you don’t hurt anyone.

Coming soon:

Seraphine comes to Plimoth Cinema Aug. 28 through Sept. 3, followed by In The Loop from Sept. 4 to through Sept. 10.

Screenings are offered Friday and Saturday at 4:30 and 7 p.m., and Sunday through Thursday at 4:30 only. Check film times by calling 508-746-1622, ext. 8877, or check Plimoth Cinema’s film listings and sign up for e-mail notices of upcoming films at www.plimoth.org.

All films are screened in the Linn Theater in Plimoth Plantation’s Visitor Center. Food, beer and wine are offered each Saturday. General admission is $9.50, $7.50 for Plantation members and seniors. Plimoth Cinema Club Cards, valid for the 2009 season, cost $10 and entitle one person to $1.50 off admission to any film shown at the Cinema.

 

 

 

 

 

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